© Maurice Jarnoux - André Malraux in his studio, 1950
Curatorial
Exhibitions are how collections are interpreted in public and how institutional relationships are built — approached here as an intellectual and strategic discipline, not a production function. Curatorial authorship and production management are held in one practice — a combination the field usually splits.
Areas of Practice
The exhibition's thesis, argument, and narrative; the research and selection of artists and works; and the writing that carries it, from wall texts to interpretive frameworks.
Curating from private and corporate collections, with the lender research, outreach, and loan-agreement negotiation behind them.
Designers, lighting, art handling, transport, customs, and condition reporting; and the budgets, timelines, and contractors that hold a production together.
Venue identification and agreement negotiation, multi-venue coordination, and the adaptation of design and text for different spaces.
Talks, tours, symposia, performances, and screenings, including the collector- and client-facing events built around openings.
Permanent and rotating installations in corporate environments, internal engagement programmes, and exhibition experiences within fairs and sponsored contexts.
Selected Projects
© Philip Pullman, Dæmon Voices